Applications are accepted yearly by 30 September.Awards will be announced early in the following year.

Application forms and instructions can be requested by telephone at 1-718-980-1805, by e-mail atmalevichsociety@hotmail.com, or can be downloaded from this web site.

Applications should be sent to:

Grant Applications
The Malevich Society
c/o Herrick, Feinstein LLP
2 Park Avenue
New York, New York 10016

and must arrive at the Society no later than 30 September.

We are sorry we are unable to accept applications by e-mail or fax.

Determination of awards will be made by the Board of Directors of the Society.

For further information contact the Malevich Society at

Telephone/Fax: 1-718-980-1805
E-mail: malevichsociety@hotmail.com

The Metropolitan Museum of Art is seeking eligible candidates for the Kress Interpretive Fellowship for 2012-2013

The Kress Interpretive Fellowship aims to cultivate students and young professionals interested in museum careers and focuses on curatorial and educational collaboration.
The Fellow’s activities will focus on collection presentation in the Museum’s galleries, interpretation, and teaching. Specifically, s/he will participate in the ongoing discussions concerning the reinstallation of the new European Paintings galleries, scheduled to reopen in May 2013. The Fellow will be involved with discussions concerning the arrangement of the new gallery installations, design and presentation, coordination of the installation with didactic material and the development of interpretive strategies and teaching methods aimed at the adult visitor. The individual will assist with the training of volunteers for this audience and, if possible, teach in the new galleries once they open.

The Fellow will also learn about how our Paintings Conservation Departments involvement with the reinstallation has helped shape our understanding of the work of art. The Fellow will develop a digital handbook for those who teach adults with suggested ways of incorporating material knowledge of the artworks into their gallery teaching.
Eligible candidates will have an M.A. degree in art history, and a commitment to teaching. The ideal candidate will have prior experience with painting processes.
The Fellowship stipend for the 12 month period will be $25,000. The fellow is expected to be in residence full time, 5 days a week and will work collaboratively with curators, educators and conservators. The deadline for all applicants is June 1, 2012. Interested applicants should submit their resume, a statement of interest and intent, and a writing sample no more than 1000 words to:

Marcie Karp, Managing Museum Educator for Academic Programs at

 Education.Grants@metmuseum.org

The purpose of the residence programme is to host artists and writers who have a specific project to develop in Paris. This project should preferably be carried out in partnership with a previously specified local institution or another structure, company, or artist, in Paris or the surrounding area for artists in the fields of visual or performing arts, and for writers as part of a research project. The project should be developed in Paris, in harmony with the host town and its cultural environment. This residence, which is a privileged period of reflection and creativity for the artist, will contribute to the presence and visibility of international artists in Paris

http://www.international-recollets-paris.org/inscription/accueil.php?lng=en

Deadline for the 2013 applications: June 17, 2012

The next round of grants for Creative Encounters: Cultural Partnerships between Asia and Europe is now open. Jointly promoted by Arts Network Asia (ANA), the Asia-Europe Foundation (ASEF) and Trans Europe Halles (TEH), we are inviting arts and culture organisations and networks across Asia and Europe to apply. Details of the call and submission procedure can be found below.

Key Dates
Deadline for submission of proposals: 30 June 2012
Notification of shortlisted applicants: 8 August 2012
Announcement of successful projects: 28 September 2012
Projects should take place between 1 October 2012 and 30 September 2013.

IMPORTANT PROCEDURE FOR SUBMISSION

Initial project proposal MUST be submitted in English through ANA website

(www.artsnetworkasia.org) by 30 June 2012. (6pm Singapore time)

An exhibition, with talks and performance on diagrammatic form, during late June/July.
Extended deadline: 1st June.

We will select a handful of works to be shown in an exhibition with talks and performance on diagrammatic form in late June/July.  Selected artists will be notified by 8th June if they have been successful.

Approaches to diagrams include:

Diagrams as pedagogical or discursive machines – diagrams as presentations or communications of relations and ideas.

Diagrams that register subjectivity and different subject constructions – structural machines.

Diagrams as propositions that force thought – diagrams as registers of the movement of thought and as a means of registering what might be impossible or un-thought.

Diagrams of the relation of the infinite and the finite.

Diagrams as technology that call forth a people and a world – an anthropological understanding of diagrams.

Diagrams as presentations of forces that escape or resist discursive regimes – diagrams as abstract machines or as the battlefields of words and things.

(diagrams list thanks to David Burrows)

This can be understood in whatever way is appropriate: drawings, 2-dimensional works, models/objects, film and all other media, as well as on-line projects and publications, will be considered.

Please submit a maximum of two entries, one image each clearly marked with your name (no larger than 4mb per image), or link to on-line image/project, etc. to:

info@bannerrepeater.org with ‘Diagram’ in the subject line.

We will select a handful of works to be shown in an exhibition with talks and performance on diagrammatic form in late June July.  Selected artists will be notified by 8th June if they have been successful.

1-2 works will be selected for printing in a small run of either posters or limited edition prints.

A larger selection of works will be included in a publication to be published during the exhibition period.

During the exhibition there will be a series of talks: 18th July, Simon O’Sullivan, who will be talking on his new book: “On the production of subjectivity.  Five diagrams of the Finite Infinite relation” and on 6th July, John Cussans will be demonstrating a model of the Anthropometer.

www.bannerrepeater.org

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